- The Beverly Arts
Author: Joey Zhou (Translated from Chinese version)
The relationship between our thinking and time and space
Like a fish swimming in a glass tank...
Looks free and beautiful;
In fact, it is always trapped in the concept of a fish tank...?
Beyond thinking,
time travelling,
The fish tank that imprisons our thinking must be smashed!
Tear up the dictionary,
Beyond language,
Establish a new concept for the entire future earth civilization!
There are several trials of future civilization that must be acted immediately,
Such as creating in outer space:
"Human Heritage Base"
And build a space-adapted,
"New species breeding base for humans".
Our current exploration of space is called,
Slow-moving "science fiction entertainment";
This kind of "arrogant, selfish, selfish, fishbowl-like exploration",
We will wait for disaster in the end...
Friends, do you remember the Jurassic disaster?
At that time,
Dinosaurs have actually ruled the entire earth!
Can
Are we creatures smarter than dinosaurs?
In case
Even "floods, droughts, earthquakes" cannot predict, prevent and control the wisdom,
It can be ignored in the face of cosmic disasters!
Or
All in front of the universe,
Fifty steps laugh a hundred steps!
Our curiosity,
Let us discover black holes in the distant universe and the particles of God,
For thousands of years,
Are we still spinning in the solar system?
In the vast universe,
We are extremely low-level cosmic creatures!
The Hawking brother was right: "Humans are very dangerous to come into contact with aliens"!
No need to listen to those scientific crooks say:
"The disaster of the earth only occurs once in billions of years"!
The basic logic to deny this lie is,
Human technology, which cannot even predict earthquakes, actually controls the law of cosmic disasters?
The logic of any disaster predicts that the crisis is anytime and anywhere,
In other words, every minute!
The earth and people are fragile and helpless in front of the universe,
Any disaster will destroy you at the last second of peace,
Is there an appointment for disaster?
To establish a "new species of humanity",
Establish a "new concept of the universe"
This is the only way for us to rebuild ourselves, save ourselves, and surpass ourselves!
Correct,
There is another important suggestion that needs to be established in outer space
"Human Gene Data Cryptographic Base"
So even if our round of light years is not in time,
In the future, there will be people who shed tears for us,
In other words, the new species of human beings who possess all the superior genes and genetic codes of our earth creatures can continue our exploration...!
Here comes a very simple question,
How to stand the egg upside down on the table?
"Break the egg",
What did Columbus say?
-- Written in Los Angeles on 2/10/2013
Gérard Xuriguera and Jiannan Huang
Gérard Xuriguera is an acclaimed French art critic and historian, born August 1, 1936 in Barcelona, Spain. Xuriguera has published 140 books, including numerous reference books on contemporary art, 2,000 articles, 1,000 prefaces, and over a hundred monographs. He has been a lecturer, organizer of many large exhibitions, president of several biennials, curator for a number of art collections of paintings for museums around the world, and has initiated the development of sculpture parks around the world. Most notably, he was the general commissioner of the Seoul Arts Olympiad in 1988 and commissioner of the Madrid European Capital of Culture in 1992.
During his career, Xuriguera has reviewed and worked with many artists including Pierre Soulages, Joseph Kosuth, Max Ernst , Antonio Saura, Louise Bourgeois, Chu Teh-Chun, Georges Mathieu, Julio LeParc, Lee Ufan, Jesús Rafael Soto, Carlos Cruz-Diez, Sir L., Jacques Villeglé, Denis Oppenheim, Wifredo Lam, Takis, Gérard Schneider, Jean Hélion , Bengt Lindström, Erik Dietman, José Subirà-Puig, Erró, Peter Stämpfli, John Christoforou, Edoardo Puglisi, and others.
Jiannan Huang and Gérard Xuriguera
According to Xuriguera who met with Jiannan Huang in 2015, many artists and painters such as Huang, seek to consciously present the beautiful moments of the world for the viewers. They have the courage to explore this theme and lead us into the secret of the passage of time, because they not only understand the weight of the four seasons, the sullenness of the storm, but also the clarity of the summer sunset and the gloom of the autumn sky. In addition to the presenting a moment in time, they wantonly use their imagination, and inadvertently outline a scene that is difficult for the world to perceive.
Inheriting the traditional techniques that have been tested over time, Huang has been relentlessly capturing the phantom in the color palette through the appearance from the beginning, the most effective way of expressing this phantom. The textures of the veins of the mountains and mines are presented one by one from the dim ground or the water waves bathed in moonlight, thus becoming a reflection of the extension of nature. In fact, few people or houses appear between the unpredictable and rugged ground, but occasionally a few livestock or a few vaguely lost paths. There are often turbulent rivers, with the turbulent layers shown by the white space of light and shadow with a background of layers of mountains. Huang is a master of landscape painting as he often spreads the illusory pattern of loneliness with a sunny or sometimes dark night, with skilled brushstrokes and bold colors that captivate the viewer's attention.
Coming from an ordinary village in Guangdong Province in southern China, Huang has not undergone academic training. At the beginning of his painting career, Huang worked as a stage artist in a theater and was known to be elegant, thoughtful, and down to earth. Just as Europe was in the era of naturalism, he was said to be immersed in his motherland’s nature, and his works embody a simple happiness. Both his oil paintings and traditional Chinese paintings have a natural sublimation. The clouds, rivers, waterfalls, earth, steep mountains, and heavy snow are depicted in many sceneries. The ink is carefully applied, and the silver-white moonlight quietly accompanies the long stream of water and reflects the reflection in the water. The moon and the land complement each other. In addition, through the combination of ink, whether it is a chatting monk or a running figure, at dusk or day and night, the shining of light and the radiation of colors overlap step by step. Here, traditional Chinese art includes realism. It has been said that a civilization that has no landscape paintings is not worth mentioning. Yves Bonafoix wrote, "therefore, Jiannan Huang has deeply understood this truth, because he knows that the Asian soul from nature is inseparable from human beings."
Although his works are presented with the colorful and intense colors popular in Western art, they still make people feel that there is still the mysterious and unpredictable oriental artistic conception and charm flowing in his bones.
- The Beverly Arts
Author: Joey Zhou
Music: Link for Music
The utmost is the tip of the wolf fur brush
Infiltrating the inkstone
Is cloud and smoke,
The utmost is that Hui ink freedom
Tumbling back and forth
It is the spring of heart.
Spread out, spread out again, the raw rice paper overlaps with the cooked paper
Like,
Mottled blue sky with white clouds;
Rouge suddenly touches peony,
The pine smoke is stained with white clouds,
The soul flies away.
Andante, Andante without song,
Wordless waiting to miss.
The most singular thing is not the painter's brush, ink, paper and inkstone.
Yes,
In an instant
Pausing on the white cloud of rice paper shivering with ecstasy.
Watch over a lifetime
One painting, one heaven...!
The utmost is the end touch on inkstone
Let the gentleness slowly finish dyeing,
Rouge nestled in pine smoke,
The Four Treasures of Incense Study,
Delightful.
Sleep well screen window,
Why did you get a cup of turbid wine to treat the rest of the joy
Melt into the drunken words of a lifetime.
Soul flies away
Andante, Andante without song,
Wordless waiting to miss.
The most singular thing is not the painter’s brush,ink, paper and inkstone.
Yes,
In an instant
Pause on the white clouds of rice paper
Trembling with ecstasy.
Watch over a lifetime,
One painting, one heaven...!